{"id":115917,"date":"2021-02-07T19:19:28","date_gmt":"2021-02-07T17:19:28","guid":{"rendered":"https:\/\/www.germanopratines.fr\/?p=115917"},"modified":"2021-02-07T19:45:25","modified_gmt":"2021-02-07T17:45:25","slug":"toshio-saeki","status":"publish","type":"post","link":"https:\/\/germanopratines-staging.ovh\/en\/exhibitions\/toshio-saeki\/","title":{"rendered":"Toshio Saeki"},"content":{"rendered":"\n
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Toshio Saeki (1945-2019) is an illustrator and an icon of the Japanese underground. His work is at the crossroads of the Japanese traditions
of shunga (traditional erotic engravings) and y\u014dkai (representation of spirits, demons and ghosts). He also renewed the genre of eroguro, a Japanese artistic and literary movement which appeared around 1930, combining eroticism, macabre and grotesque elements. \u00abIts monstrous eroticism is all the more powerful because it relies on the power of evocation and unfolds in a very pure drawing. Herg\u00e9 plunged into the perverse thoughts of an Edogawa Ranpo.\u00bb (Marius Chapuis for Liberation)<\/p>\n\n\n\n

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Galerie Da-End is delighted to unveil a new set of silkscreen prints by this avant-garde artist. The never-before presented corpus \u2013 which completes the first series exhibited in 2010 \u2013 is the result of a close collaboration during 2009 between the gallery and master silkscreen artist Fumie Taniyama, under the attentive direction of Toshio Saeki himself.<\/p>\n\n\n\n

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\u00ab Saeki never ceased to develop his remarkable talents as a draughtsman and colorist in order to explore ever more deeply the obscure regions
of the unconscious. The two main ingredients of his art are the conciseness of the line \u2013 the result of extreme self-control and unfailing lucidity \u2013 and his passion for eros (or ero, a Japanese term he prefers, because, according to the artist, the idea of death is also present). In other words: a clear line and dark intentions. Saeki\u2019s sulfurous universe is utero-centric. Everything revolves around this cyclopean eye which is at the same time matrix, frightening cave, shelter, source of pleasure and Pandora\u2019s box. Each of his works constitute as many thresholds and hidden passages leading directly from the waking state to the state of dream or nightmare, through the art of line. Each drawing tells a story. There are voyeurs, perverts and tortured. \u00bb (David Rosenberg)<\/p>\n\n\n\n

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February 13 – March 27, 2021 <\/h3>\n\n\n\n
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GALERIE DA-END<\/h3>\n\n\n\n

17 rue Gu\u00e9n\u00e9gaud 75004 Paris<\/h3>\n","protected":false},"excerpt":{"rendered":"

Toshio Saeki (1945-2019) is an illustrator and an icon of the Japanese underground. His work is at the crossroads of the Japanese traditionsof shunga (traditional erotic engravings) and y\u014dkai (representation of spirits, demons and ghosts). He also renewed the genre of eroguro, a Japanese artistic and literary movement which appeared around 1930, combining eroticism, macabre […]<\/p>\n","protected":false},"author":2,"featured_media":115940,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[381],"tags":[],"yoast_head":"\nToshio Saeki | City Guide Paris - De Saint-Germain des pr\u00e9s au Palais Royal | les Germanopratines<\/title>\n<meta name=\"description\" content=\"Toshio Saeki (1945-2019) is an illustrator and an icon of the Japanese underground. 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