{"id":117719,"date":"2021-10-06T20:26:00","date_gmt":"2021-10-06T18:26:00","guid":{"rendered":"https:\/\/www.germanopratines.fr\/?p=117719"},"modified":"2021-10-07T17:14:53","modified_gmt":"2021-10-07T15:14:53","slug":"damien-hirst-cherry-blossoms","status":"publish","type":"post","link":"https:\/\/germanopratines-staging.ovh\/en\/exhibitions\/damien-hirst-cherry-blossoms\/","title":{"rendered":"Damien Hirst &#8211; Cherry Blossoms"},"content":{"rendered":"\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-Cerisiers-en-Fleurs.jpg\" alt=\"\" class=\"wp-image-117625\" width=\"922\" height=\"597\" srcset=\"https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-Cerisiers-en-Fleurs.jpg 659w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-Cerisiers-en-Fleurs-300x194.jpg 300w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-Cerisiers-en-Fleurs-450x292.jpg 450w\" sizes=\"(max-width: 922px) 100vw, 922px\" \/><\/figure>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>Cherry Blossoms&nbsp;<\/em>is Damien Hirst\u2019s first museum exhibition in France. The&nbsp;<em>Cherry Blossoms&nbsp;<\/em>series reinterprets, with playful irony, the traditional subject of landscape painting. Hirst combines thick brushstrokes and elements of gestural painting, referencing both Impressionism and Pointillism, as well as Action Painting. The monumental canvases, which are entirely covered in dense bright colours, envelope the viewer in a vast floral landscape moving between figuration and abstraction.<br>The&nbsp;<em>Cherry Blossoms<\/em>&nbsp;are at once a subversion and homage to the great artistic movements of the late nineteenth and twentieth centuries. They are integral to the pictorial exploration long carried out by Hirst.<\/p>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst.jpg\" alt=\"\" class=\"wp-image-117623\" width=\"920\" height=\"690\" srcset=\"https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst.jpg 1000w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-300x225.jpg 300w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-768x576.jpg 768w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-705x529.jpg 705w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-450x338.jpg 450w\" sizes=\"(max-width: 920px) 100vw, 920px\" \/><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>In his London studio, the artist describes \u201c<em>diving into the paintings and completely blitzing them from one end to the other<\/em>\u201d.<\/p>\n\n\n\n<p>He also talks about working on several canvases at the same time and constantly returning to these, which he kept close by, months after their completion. After devoting three full years to the series, Damien Hirst finished the&nbsp;<em>Cherry Blossoms&nbsp;<\/em>series in November 2020 : \u201c<em>[The pandemic] has given me a lot more time<\/em>&nbsp;<em>to live with the paintings, and look at them, and make<\/em>&nbsp;<em>absolutely certain that everything\u2019s finished<\/em>.\u201d The complete series comprises 107 canvases (all reproduced in the exhibition catalogue), divided into single panels, diptychs, triptychs, quadriptychs and even a hexaptych, all large-format. The exhibition, a response to an invitation by Herv\u00e9 Chand\u00e8s, General Director of the Fondation Cartier, to Damien Hirst during a meeting in London in 2019, presents thirty paintings selected by Herv\u00e9 Chand\u00e8s and the artist. Taking over the space designed by Jean Nouvel, the canvases, covered in thick, vibrant paint, absorb the spectator into the paintings.<\/p>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-2-787x1030.jpg\" alt=\"\" class=\"wp-image-117635\" width=\"902\" height=\"1181\" srcset=\"https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-2-787x1030.jpg 787w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-2-229x300.jpg 229w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-2-768x1005.jpg 768w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-2-539x705.jpg 539w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-2-450x589.jpg 450w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/Damien-Hirst-2.jpg 1000w\" sizes=\"(max-width: 902px) 100vw, 902px\" \/><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>After studying in Leeds, Damien Hirst entered Goldsmiths College in London in 1986 and quickly became the face of the Young British Artists, a group with a taste for experimentation and creating art viewed as provocative by some. They dominated the British arts scene in the 1990s. Hirst\u2019s&nbsp;<em>Natural History<\/em>&nbsp;series \u2014 in which animals appear in formaldehydefilled tanks \u2014 soon became emblematic of his work.<\/p>\n\n\n\n<p>However, painting has always played an essential role in Hirst\u2019s work: \u201c<em>I\u2019ve had a romance with painting all my<\/em>&nbsp;<em>life, even if I avoided it. As a young artist, you react to the<\/em>&nbsp;<em>context, your situation. In the 1980s, painting wasn\u2019t really<\/em>&nbsp;<em>the way to go<\/em>.\u201d<\/p>\n\n\n\n<p>If his early canvases were inspired by Abstract Expressionism, which he refers to as a \u201c<em>paint how you<\/em>&nbsp;<em>feel<\/em>\u201d approach, in 1986 he began a series known as&nbsp;<em>Spot<\/em>&nbsp;<em>Paintings<\/em>, where coloured dots, which appear to have been painted by a machine, erase all traces of human intervention. Initially conceived as an ongoing series,today, the&nbsp;<em>Spot Paintings&nbsp;<\/em>include over one thousand canvases of varying sizes and titles. In contrast with the mathematical infinity of the&nbsp;<em>Spot Paintings<\/em>, the&nbsp;<em>Visual Candy&nbsp;<\/em>paintings (1993-1995), ironically named after a scathing comment by an art critic who said the paintings looked like curtain designs, are characterized by their thick smudges of paint and exuberant superimposed colours.<\/p>\n\n\n\n<p>More recently, the series known as&nbsp;<em>Colour Space&nbsp;<\/em>(2016), a variation around the infinite possibility of colour, and&nbsp;<em>Veil Paintings&nbsp;<\/em>(2018), where dabs of paint shimmer and cover the entire canvas, celebrate the painting surface, depth and color. This exploration culminates in the&nbsp;<em>Cherry Blossoms.<\/em><\/p>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/exposition-damien-hirst-cerisier-en-fleurs-fondation-cartier-2-690x1024-1.jpg\" alt=\"\" class=\"wp-image-117627\" width=\"899\" height=\"1333\" srcset=\"https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/exposition-damien-hirst-cerisier-en-fleurs-fondation-cartier-2-690x1024-1.jpg 690w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/exposition-damien-hirst-cerisier-en-fleurs-fondation-cartier-2-690x1024-1-202x300.jpg 202w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/exposition-damien-hirst-cerisier-en-fleurs-fondation-cartier-2-690x1024-1-475x705.jpg 475w, https:\/\/germanopratines-staging.ovh\/wp-content\/uploads\/2021\/04\/exposition-damien-hirst-cerisier-en-fleurs-fondation-cartier-2-690x1024-1-450x668.jpg 450w\" sizes=\"(max-width: 899px) 100vw, 899px\" \/><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"has-text-align-center\"> June 1, 2021 &#8211; January 2, 2022<\/h3>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"has-text-align-center\">FONDATION CARTIER<\/h3>\n\n\n\n<h3 class=\"has-text-align-center\">261 boulevard Raspail 75014 Paris<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Cherry Blossoms&nbsp;is Damien Hirst\u2019s first museum exhibition in France. The&nbsp;Cherry Blossoms&nbsp;series reinterprets, with playful irony, the traditional subject of landscape painting. Hirst combines thick brushstrokes and elements of gestural painting, referencing both Impressionism and Pointillism, as well as Action Painting. The monumental canvases, which are entirely covered in dense bright colours, envelope the viewer in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":117634,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[381],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Damien Hirst - Cherry Blossoms | City Guide Paris - De Saint-Germain des pr\u00e9s au Palais Royal | les Germanopratines<\/title>\n<meta name=\"description\" content=\"Cherry Blossoms&nbsp;is Damien Hirst\u2019s first museum exhibition in France. 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